Amores Perros: Moments of Weightlessness
Alejandro González Iñárritu’s film Amores Perros (2000) is a prime example of what Alissa Quart coined “Hyperlink Cinema” (Quart 1). Essentially, a term that refers to […]
Alejandro González Iñárritu’s film Amores Perros (2000) is a prime example of what Alissa Quart coined “Hyperlink Cinema” (Quart 1). Essentially, a term that refers to […]
Hollis Frampton’s black and white 16mm film, Hapax Legomena I: Nostalgia (1971), takes us on a journey through moving and still image and memory and anticipation: […]
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