Film and Television Theory, Studies in Film, and Academia
Jean-Luc Godard’s Pierrot le Fou (1965) is a film about miscommunication and subjectivity that illustrates the impossible task of existing simultaneously in ‘the real’ and […]
This article explores the representation of poverty in Charles Chaplin’s Modern Times (1936) and Preston Sturges’ Sullivan’s Travels (1941).
Alejandro González Iñárritu’s film Amores Perros (2000) is a prime example of what Alissa Quart coined “Hyperlink Cinema†(Quart 1). Essentially, a term that refers to […]
Hollis Frampton’s black and white 16mm film, Hapax Legomena I: Nostalgia (1971), takes us on a journey through moving and still image and memory and anticipation: […]
In this analysis we will examine the UK reception and image of Park Chan-Wook’s Oldboy (2003), focusing on the subtext of the iconic images used […]
Cary Fukunaga’s Sin Nombre (2009) and Gregory Nava’s El Norte (1983) show us the neo-realistic journeys immigrants from Central America and Mexico face on their expedition north to the […]
Privileged Voyeurism: Life Within Emblematic Borders. MarÃa Novaro’s film El jardÃn del Edén (1994) is a film about the human condition and the self-imposed boundaries we must […]
Last Yakuza in the Universe In the opening sequence of Pen-Ek Ratanaruang’s Last Life in the Universe (2003) we see Kenji’s (Tadanobu Asano) imagined suicide. […]
Annabel Gillings’ Fukushima: Is Nuclear Power Safe? (2011) is a documentary that explores the aftermath of the “Core melt accident†at the Fukushima Daiichi Nuclear […]
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