Amores Perros: Moments of Weightlessness
Alejandro González Iñárritu’s film Amores Perros (2000) is a prime example of what Alissa Quart coined “Hyperlink Cinema” (Quart 1). Essentially, a term that refers to […]
critical writing
Sequence Analysis – Last Yakuza in the Universe
Last Yakuza in the Universe In the opening sequence of Pen-Ek Ratanaruang’s Last Life in the Universe (2003) we see Kenji’s (Tadanobu Asano) imagined suicide. […]